Kenya Barris is going to remake ”The Wizard of Oz.” The
writer and director is determined to give us a Black nationalist
version of the iconic movie, combined with a strong LGBTQ theme
in his adaptation of the classic film.
He told Variety, “Now we’re going to turn a mirror on
where we’re at right now and take disparate characters from the LGBTQ
community, from different cultural communities and socioeconomic communities,
and tell a story that reflects the world. I think this is the best time to do
that.”
No doubt. Think of the possibilities!
What self-respecting woke person wouldn’t want to see, say, Dorothy
Gale get it on with the Wicked Witch of the West or Scarecrow sticking it to
the Tin Man? Will we see Uncle Henry, Auntie Em, and Zeke perform in a
three-way “Eiffel Tower” position? Perhaps Glinda the Good is even better
when she’s taking on the Munchkins en masse? Possible spoiler alert: Rumor
has it The Guard, The Hunk, and Nikko might all identify as women and engage in
an epic (non-cis) lesbian scene. Here’s hoping, right? And what of Toto and the
Cowardly Lion? Maybe the latter could get his courage back…as he cries out in
ecstasy: “Toto! Toto!” Know what I’m sayin’? Hell, yeah!
The Left destroys everything it touches. Deliberately. Sometimes
slowly over time and sometimes with breathtaking speed. It must destroy
families, culture, tradition, and religion to create the chaos that will cause
people to tolerate—even welcome—authoritarian response and control. It will
tolerate no competition and accept no deviation from its mandates. Recently,
big, multinational corporations have started falling in line and espousing
wokeness as if they were all owned by Michael Moore and Ibrahim Kendi.
For example, Disney has recently tried its hand at social
engineering, championing everything LGBTQ at every opportunity. It recently introduced
Disney+, a network geared towards adults. Perhaps it should debut a truly adult
network. Disney After Dark, anyone? It could fund, produce, and release
movies like Barris’s remake of “The Wizard of Oz.”
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