According to The Daily Mail, “left-wing
managers of a Paris theatre” called the Gaîté Lyrique, “one of the French
capital’s most historic arts venues,” have caused themselves a nearly
intractable problem. Last December, the management gave 200 mostly young male
African migrants free tickets to a conference titled ‘Refugees Welcome in
France.’ The problem? When the conference was finished, the previously homeless
migrants refused
to leave the venue. In fact, they are still there. Makeshift beds have been
placed around the stage and auditorium. The theatre is now occupied by 446
migrants, all of whom are living inside illegally. The theatre had to cancel
numerous performances, costing it many thousands of Euros in revenue.
The progressive theatre managers
are set to abandon the building and face bankruptcy because of sex-related
violence. They say that the crisis is now “so explosive” that immediate retreat
is their only option.
Most of the migrants claim they are
minors under the age of 18 who deserve permanent housing. But most are known to
the local authorities who say they are adults. The Daily Mail reported that
“The Collectif des Jeunes du Parc de Belleville, the group which organized the
occupation, slammed the age test as 'racist and expeditive.’” Age tests
are racist? So, literally everything is racist. Misogyny must then be
racist, too. Is racism ageist and misogynistic? Do words even matter anymore?
The whole sordid episode is a
tragicomedy—and a perfect metaphor for what is happening to Western Europe on a
macro scale. Or, as Mark Steyn deemed
it, “the entire history of the contemporary western world in a single news
story.”
As France and other Western nations
comprising the erstwhile ‘European Theater’ are ever more subsumed by Muslim
migrants, the arts will gradually go the way of the dinosaur—and Christianity.
And sex-related assault and violence will take their place.
When you invite people into your
country to live for free, with no mandate to assimilate, you might find that
they aren’t as welcoming of you as you are of them. And, as the “left-wing
managers of a Paris theatre” discovered, they might stay permanently…forcing
you to leave.
Someone
once said, “there is a great deal of ruin in a nation.” But there doesn’t have
to be.
Oh well. Que sera sera. Oui?
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